The Silence of the Busy

/ Friday, April 5th, 2013 / No Comments »

Contemplating the balance the modern writer/editor has to strike between maintaining a social media presence and actually getting work done, I decided now would be a good time for an update on my juggling act.

There’s a lot of exciting behind-the-scenes stuff going on with my novel, The Black Fire Concerto, though nothing is to the point that I can show off anything publicly yet, so you’ll just have to take my word for it. I suppose I can tell you though about what is going on, aside from much copy-editing: the novel and the imprint publishing it, Haunted Stars, will have a snazzy website; the first portion of the novel, “Part One: The Red Empress,” will be available as a free-to-read sample, something I’m really excited about, especially as Claire Cooney, my editor for this project and an all-around awesome person, has recorded a kickass audio reading of the same excerpt. All of it Coming Soon.

Clockwork Phoenix 4 is in the final stretch of the proof-reading phase, which is giving me a little bit of a case of butterflies-in-the-stomach, as that means we’re that much closer to releasing the book for real, not just to a handful of reviewers. My thanks to the invaluable Francesca Forrest for taking on the proofreading duties. My thanks too to Elizabeth Campbell, who took it on herself to create the anthology’s EPUB/MOBI editions.

The artwork is due in soon that will let me finish up the special edition of Cherie Priest’s The Immigrant for Kickstarter backers; I’ve already got the cover and one of the five interior illustrations. It won’t surprise any of you familiar with her work to know that artist Paula Friedlander is doing some amazing stuff.

Mythic Delirium 28 is ready to go; there’s a little bit of a delay happening that’s completely on my end; I need to create a form that allows subscribers to figure out their options as I prepare to introduce the all-new and very different electronic version of the magazine, and as you can see, finding the window to work on that hasn’t been simple. But it’s coming.

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