Archive for the ‘Audio’ Category

A new podcast and a new short story sale

Sunday, February 12th, 2012

My apocalyptic short story “Let There Be Darkness” has just appeared at Pseudopod, read with prophetic conviction by Christiana Ellis. (Click here to hear how the world will really end.) “Let There Be Darkness” will be included in my horror collection coming out later this year from Apex Books, The Button Bin and Other Horrors.

And, the same day the “Let There Be Darkness” podcast appeared, literary adventure fantasy webzine Beneath Ceaseless Skies bought a short story from me, a dark tale (imagine!) called “The Ivy-Smothered Palisade.” A slew of awesome people helped me polish this tale before I submitted it anywhere, and it sold the first place it went to. My sincere thanks to all of them: Sally Brackett Robertson, Sonya Taaffe, Nicole Kornher-Stace, Erik Amundsen, Alexandra Seidel, Jennifer Crow, Rick Herndon, Elizabeth Campbell and Virginia Mohlere. And of course, Anita Allen!

I’ve just recorded my first column for “Tales to Terrify”

Sunday, January 22nd, 2012

Tales to Terrify is the new sister podcast to StarShipSofa, focused exclusively on horror.

Madman Tony C. Smith invited me to contribute a monthly column to Tales to Terrify. I just finished recording the first installment. I’m calling it “Tour of the Abattoir.” Said abattoir being my brain, as many of the characters from my stories could attest.

I hope folks enjoy it. I’m also grateful that Tony is a patient madman because (ulp!) it’s two weeks late…

Stories have their own lives

Wednesday, December 14th, 2011

I have this horror story called “The Blessed Days.” It first appeared in Tales of the Talisman in 2009 and was adapted to audio by Pseudopod in 2010. Now it’s part of a new e-anthology called Past Future Present 2011 that’s available on Amazon for 99 cents. In fact, you can read it free, because it’s included in its entirety in Amazon’s free sample, though I hope you’ll purchase the anthology — given the lineup, with work by Hugo winner John Grant and two-time Nebula nominee Vera Nazarian, it’s certainly worth the price.

I’m going to use this opportunity to give a demon its due.

The spark of inspiration for “The Blessed Days” came from a conversation from a friend here in Roanoke, Jon Smallwood, who was meditating on the tidbit that “bless” evolved from a term that meant “mark with blood.” But as I wrote the story it involved into a piece in which I tried to express how I felt as a reporter when covering (from afar, yet feeling very much connected) events like the 9/11 attacks. (By the time the story was published, the 4/16 shootings at Virginia Tech had also factored in.)

But mind you, it is also a lurid tale of monsters, human and not. It went through many, many drafts, including an extensive rewrite just before the Tales of the Talisman issue that held it went to press. I’m still grateful that David Lee Summers took a chance on it. I still love the blunt illustration by Jag Lall that introduced the story with a bit of gory sleight-of-hand: dead-on accurate, yet what you see doesn’t mean what you think it means.

Reselling it to Pseudopod brought it to a bigger audience, and here’s where I kick myself a little, because the story generated more buzz at the time than I realized it was getting. (I was not yet a Google Alert master, heh.)

Take, for instance, this review from blogger Scientifically Bookish:

A reporter wakes up naked next to his girlfriend, covered in blood, beneath plastic sheets. But the story transcends its splatterpunk opening to achieve a more psychological brand of horror. The odd part is that the first half seems like an entirely different story than the second half. A lot of time is spent on how humanity deals with magically waking up covered in blood every morning, from infections down to haircuts. It is made clear that the blood isn’t the blood of the sleeping people, but appears out of nowhere.

Then the protagonist gets to use his exceptional lucid dreaming abilities to help a scientist friend figure out what’s going on, since the blood only appears when you’re asleep. From here we get into Lovecraft territory, and as the Pseudopod outro points out, you can’t help but think of Nietzsche’s famous “when you gaze long into an abyss, the abyss also gazes into you.” This one is truly scary despite the bloody, unlikely premise. The Mayan Apocalypse tie-in annoys me, but isn’t unjustified, and the ending is very good, in the horrifying sense of “good”. Love the last line.

I totally missed this when it first came out!

I also missed the initial comments in the Pseudopod forum, which made the same mistake this review makes.

A conversation I had with another friend here in Roanoke, Anne Sampson, led to the inclusion of Mayan mythology in this story, specifically the significance of the ceiba tree. That conversation happened sometime during Spring-Summer of 2005. (So now you know how long this story percolated.)

I regret that I can’t, two years later, wade back into this discussion and say: “Folks. You all have 2012 on the brain. I know that movie just came out. But this story way predates that. AND THERE IS NO MENTION OF THE MAYAN CALENDAR ANYWHERE IN THIS STORY. None whatsoever. Ahem.”

Timing is everything.

But it didn’t seem to damage things too badly, if this review from blogger “Ready When You Are CB” is any indication:

If you are a fan of horror fiction, especially a fan of dark horror fiction, you owe it to yourself to give Mike Allen’s “The Blessed Days” a listen. The stories hero has been plagued by debilitating recurring nightmares his entire life. He has sought help from sleep scientists as well as less reputable dream experts, to no avail. But his dreams, along with the dreams of everyone else on earth stop altogether after The Blessing begins.

One night, humanity experiences The Blessing simultaneously, as everyone wakes to find themselves covered in blood. Their own blood, which has leaked out of every pore in their body at once, just before they awoke. This continues to happen every time they fall asleep over the following two and a half years. No one dreams; everyone wakes up covered in blood.

How creepy is that?

Mr. Allen’s story is a tribute to the horror fiction of H.P. Lovecraft, the kind of story about the unleashing of dark and primitive gods, gods who demand blood sacrifice and give nothing in return that Clive Barker wrote about in his Books of Blood series. If it’s not your sort of thing you’ll run away screaming as soon as it begins. In fact, you may have run away already. But if you’re a fan of dark horror fiction, you really should give it a listen. It’s very good. It kept me sitting in my car in the parking lot at work listening. At National Public Radio they call that a driveway moment, but I don’t think “The Blessed Days” is quite what they had in mind.

You’ll note this reviewer mistakenly thinks folks are waking up in their own blood. I’ll attribute that to reviewing a story just listened to rather than one where you can flip back pages and double-check. Except, you know, people reviewing print make goofs like that all the time too, heh.

Maybe what I’m most sorry I missed: one of the commentors in the Pseudopod forums disagreed so strongly with what he believed my story was asserting about the essential nature of evil that his comments, on my story and subsequent ones he felt were similar, ended up leading to a huge forum debate in Summer 2010. How cool is that?

Our stories, they have a life of their own when we’re not watching.

Maybe I’ll get to be a more attentive parent this time around.

“Let There Be Darkness” sells to Pseudopod

Wednesday, December 7th, 2011

I learned last night that horror podcasters Pseudopod have decided to adapt my short story “Let There Be Darkness.” These folks previously adapted my tales “The Button Bin” and “The Blessed Days” and I’m delighted to be back on board with them again.

For me, this has definitely been The Year of the Reprint. “Let There Be Darkness” first appeared in a tiny zine called Penny Dreadful in 1998(!) and was reprinted by editor Michael M. Pendragon (not his real name, natch) in The Bible of Hell in 2001.

As you might guess, it’s a cheerful story about tulips and unicorns…

What’s been going on with me? (A list.)

Monday, November 14th, 2011

There’s a lot of stuff going on in my writing career right now, a lot of “let’s do this and see where it goes” sort of things.

So here’s some ketchup:

My story “Her Acres of Pastoral Playground” from Cthulhu’s Reign now up at StarShipSofa

Thursday, October 27th, 2011

As well as some delightfully pulpy artwork. Cthulhu fhtagn!

The podcast also contains an interview with me afterward, full of awkward pauses, strange skips, and giggle fits. I reveal, among other things, that the inspiration for “Her Acres of Pastoral Playground” owes more to John Carpenter’s “The Thing” than H.P. Lovecraft, and Tony Smith praises me for making use of sound effects without screwing up the recording. He’s an expert, so I consider that high praise.

An interview with me at StarShipSofa

Thursday, October 13th, 2011

The latest StarShipSofa podcast contains an interview with me that’s intended as a teaser for my upcoming audio adaptation of my horror tale “Her Acres of Pastoral Playground,” which will run Halloween week. I hope you find it as fun as I did! (Click to listen.)

My audio reading of Eric James Stone’s “That Leviathan, Whom Thou Hast Made” available at StarShipSofa

Tuesday, June 21st, 2011

Today, zany Tony Smith of Hugo Award-winning StarShipSofa posted my reading of Eric James Stone’s Nebula Award-winning, Hugo Award-nominated novelette “That Leviathan, Whom Thou Hast Made.” If you want a listen, click here.

When Tony first asked me to make this recording, “Leviathan” was still a Nebula finalist. I didn’t actually make the recording until after Eric’s story won the Nebula and thanks to illness, didn’t get around to editing it until after some controversy stirred over Eric’s Nebula victory.

I parse the debate this way. A few prominent writers/bloggers with connections to the genre field — all quite accomplished themselves, most of whom I might characterize as outspoken progressives — have resoundingly condemned the novelette, in some cases to the point of suggesting that its win proffers proof that the Nebula voting system is broken.

Intriguingly, on the blog sites denouncing “Leviathan,” nobody tends to speak up to support it. However, it’s not hard to use Google to find at least a couple bloggers, admittedly not as prominent, who are ecstatic the story won — and who are devout Christians. That the camps don’t seem to have crossed swords anywhere might well speak to how fragmented sf fandom can be. (Eric Stone himself has stayed out of the debate. Smart man.)

Being the guy charged with converting this apparently controversial piece to audio, I’ve read the criticism with interest. (more…)