A note about “Defacing the Moon”

/ April 18th, 2011 / No Comments »

I have more to say about this little poem than I thought I would. This was the title poem of my first collection, and I’ve used it in both of my big fat (by poetry standards) retrospectives, and when I give a poetry workshop, this is the piece I give to participants to play around with.

My humble writing career got started in the days of the desktop publishing surge, when advances in software and home printers made it possible for editors everywhere to generate paper chapbooks that looked (more or less) like a professional printer produced them. (My own Mythic Delirium is a relic of that time, a Triassic beast hanging on into the Cretaceous.) Back them, the equivalent of Ralan’s or Duotrope was a monthly snail mail zine called Scavenger’s Newsletter, published by the late lamented Janet Fox.

And that zine accepted flash fiction and poetry, but poems could only be 10 lines long. I wrote “Defacing the Moon” specifically for SCAV, but being the inattentive lunkhead that I am, I sent it in at 11 lines. Janet returned it with a note that she really loved it but it was too long.

Never give me an opening. I asked her if she’d be willing to look at it again if I made it the right length. She said she would — and what happened next turned out to be a big breakthrough for me. Because it wasn’t easy at all removing a line while keeping the same flow of ideas and imagery. It took a lot of thinking, a lot of playing with words, a lot of double checking with Anita, before I felt the 10 line version was ready to go back. But go back it did, and sell it did, and I learned a little something about writing.

The stanza breaks didn’t come until much letter, when I was shopping my first chapbook around for blurbsters. One of the people I approached, Bruce Boston (whose own published poems must number in the thousands) told me he would not endorse the book as was, but he’d be willing to give me tips for editing were I open to it. I sure was, and it was the best decision I could have made. He red-penciled my chapbook and turned a mediocre mess into something that could turn heads. One of those tips: make wise use of stanza breaks!

As to the topic: my favorite movie in the whole wide world (not saying it’s the best, but it’s my favorite) is Terry Gilliam’s The Adventures of Baron Munchausen. The image from that film of an old sailing ship cutting a groove through the moondust with its keel inspired this verse. Though it’s possible the episode of The Tick in which Chairface Chippendale attempts to carve his name into the moon (managing the first three letters before Tick stops him) also played a part.

(Read and hear the poem here.)

A new post at Black Gate: Through Mordor to the Unreal City

/ April 18th, 2011 / No Comments »

Through Mordor to the Unreal City: A National Poetry Month Post

Poems from The Journey to Kailash

/ April 18th, 2011 / 1 Comment »

Defacing the Moon

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Your ship’s sharpened keel
slides across airless seas,
blown by the breath of your desires.

Those sails stretch like skin
to catch the winds of your whimsy,
and the keelblade carves crags
into cheekbones and eyes.

Soon your own face will rise
from the moon’s far side,
awaken and stare down the sun.





“Defacing the Moon” first appeared in Scavenger’s Newsletter, June 1997. Copyright © 1997 by Mike Allen. Reading by the author, © 2011. Art: Still from Georges Méliès’ “A Trip to the Moon,” 1902.

Journey to Kailash posts begin tomorrow

/ April 17th, 2011 / No Comments »

THE JOURNEY TO KAILASHTomorrow, in honor of National Poetry Month, I’m running a series of posts containing selected poems from my 2008 poetry collection, The Journey to Kailash. They’ll appear at 9:30 a.m. every morning for the next 13 days, with a very appropriate choice appearing on the 13th and final day. Each one will have an accompanying audio reading.

I hope you get a kick out of these dark and quirky musings.

A new post at the Interstitial Arts Foundation blog

/ April 14th, 2011 / No Comments »

Kat Howard interviews writer and dancer Megan Kurashige.

A basket filled with Goblin Fruit

/ April 14th, 2011 / No Comments »

The Spring issue of Goblin Fruit just sprouted up. See for yourself:

I note: subscribers to Mythic Delirium are eligible for prizes in their 5th Anniversary Prize Drawing.

If you’re not a subscriber, click here for some reasons why maybe you ought to be.

Because it deserves to be said again

/ April 13th, 2011 / 2 Comments »

Congratulations to these poets with work from Mythic Delirium in contention for the 2011 Rhysling Awards:

    short poem category

  • Jennifer Crow, “We Took Our Gods”, Issue 21, January 2010
  • Lyn C. A. Gardner, “Midnight Posture”, Issue 23, Summer/Fall 2010
  • Shweta Narayan, “Cave-smell”, Issue 22, Winter/Spring 2010
  • Jane Yolen, “The Gospel of the Rope”, Issue 23, Summer-Fall, 2010.

    long poem category

  • F. J. Bergmann, “Occidental”, Issue 23, Summer-Fall 2010
  • C. S. E. Cooney, “Ere One Can Say It Lightens”, Issue 22, Winter/Spring 2010
  • Joshua Gage, “Rats”, Issue 22, Winter/Spring 2010
  • Jaime Lee Moyer, “Rain Face”, Issue 21, January 2010
  • Catherynne M. Valente, “Red Engines”, Issue 21, January 2010

Swiped from the original post at The Plasteel Spider Factory.

A new post at the Interstitial Arts Foundation blog

/ April 13th, 2011 / No Comments »

Abby Kerstetter interviews multimedia artist Mores McWreath.

A mindbending poem for Poetry Month, and a question answered

/ April 11th, 2011 / 6 Comments »

You could call this the soft announcement of my new homepage.

The question I’m answering is, why “Descent Into Light”? Well, because there have always been too many Mike Allens in the world, the phrase “Descent into Light,” snipped from my poem “Phase Shift,” has been the name of my author homepage since 2003, which came about when I checked out fellow poet Christina Sng’s Webpage and decide that, wow, I ought to have one of those, too.

Since then it’s gone through many permutations. The most recent version was wild to look at and had neat Flash features, but was incredibly cumbersome to update, which meant I almost never did it. People who looked at the page to see what I was up to (and who didn’t know to peek at my LiveJournal, “The Plasteel Spider Factory,” named after yet another snip from one of my poems) would look and assume I was out of commission, when the truth was more or less the opposite.

I’ve done most of my public online living on LiveJournal since late 2005 — but have been frustrated by recent connectivity problems, and the template I use there doesn’t really serve me well in terms of using it for a homepage. I need my page to be the pixellated equivalent of the long and elaborate presentation I have to do to explain to people what sort of writer and artist I am. After twenty years of going about everything in the most circuitous and impractical way possible, I don’t fit in any categorical boxes, really. So it’s hard to convey exactly what I do unless I can just lay all of it in front of you.

Which, at last, is what this completely new and hopefully much more active version of my old site does, thanks to WordPress. I haven’t yet figured out what its relationship will be to my LiveJournal, whether I’ll import that here or crosspost this there or what, as I can’t seem to get my LiveJournal to talk to anything at the moment except Twitter. I guess eventually I’ll figure it all out.

And while I leave that matter as a cliffhanger, I’ll end with this. I’ve had many potential publications not come to fruition over the years, but this particular one, a poetry postcard line that didn’t happen, at least left me with this beautiful image of my poem “Phase Shift,” originally from Tales of the Unanticipated, which I share with you now in honor of National Poetry Month. My thanks to artist Bob Freeman for giving my words some extra umph.

Phase Shift

Eying the world

/ April 7th, 2011 / No Comments »

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