My “Tour of the Abattoir” column in the most recent Tales to Terrify podcast discusses the career so far of horror writer Joe Hill, including a lengthy review of his latest novel, NOS4A2. Fiction is by John Dodds. Click here to have a shivery listen. #SFWApro
The reviewer behind the Just Book Reading blog just came out with a review of The Black Fire Concerto. Not all reviews are like surprise presents, but this one is.
I listened to the first part of this book when it was featured on Tales to Terrify. It was wonderfully creepy and I had a picture of this world in my head so when the book arrived I was anxious to get started. The world of Erzelle and Olyssa held true and I found myself rushing through this story full of ghouls, flesh eaters, magically driven harvesters of the dead … The Black Fire Concerto packs a lot into its few pages. I was satisfied by the end but I wanted more. It was just that good …
Earlier, Amy at Just Book Reading reviewed C.S.E. Cooney’s reading of the first part of my novel, “The Red Empress,” at Tales to Terrify.
The narrator, C.S.E. Cooney stuck the perfect tone. Her voice a perfect fit for the story … The first part sets the stage for more to come and I want more of this broken and deranged world.
#SFWApro
I’m honored to have been invited to take part in the latest Mindmeld post on SF Signal, a roundup of fellow writers and editors discussing favorite women horror writers and current writers to watch. Other participants are Ann VanderMeer, Joe McKinney, Lisa Morton, Rhonda Parrish, Kenneth W. Cain, DeAnna Knippling, Nicole Cushing, Maurice Broaddus, R.J. Cavender and Jason V. Brock. Click here to check it out!
A special thanks to Silvia Morena-Garcia for her suggestions as to who I ought to mention. #SFWApro
Locus Magazine short fiction review Rich Horton has some really cool things to say about my short story “Still Life With Skull” in his just-published review of Solaris Rising 2.
Mike Allen’s “Still Life With Skull”, set in the same very strange world as his “Twa Sisters” from last year, is about the most adventurous story here. As with the previous story, it’s not always easy to get what’s going on, which is part of the point, I think. It involves strangely sculpted people — the main character is a box with eight arms and two legs — but one thing is illegal, changing your core DNA. And so when the main character is asked to perform this service for a visitor — well, all heck breaks out. Neatly wild ideas, and a creepy ending.
Rich put my story on his Recommended Reading List. He also highlighted stories from the anthology by Eugie Foster and Kim Lakin-Smith. #SFWApro
The folks at SF Signal are generously hosting a giveaway of my novel The Black Fire Concerto. There’s two trade paperback copies up for grabs. Anyone anywhere in the world is eligible. Click here to take part if y’wanna.
Also, Haunted Stars publisher John O’Neill asked me to plug the book a couple times more at his other publishing venture, Black Gate.
In “The Black Fire Concerto & the Monsters of Memory” I talk about my inspirations for the multitudes of undead ghoulies that populate the book.
In “Musical Mayhem and The Black Fire Concerto” I talk about how the book partakes of both heavy metal and classical music.
Keep this up, the sum of my posts about my book will end up being as long as the book, heh. It’s a short book, comparable to one of Roger Zelazny’s Amber novels or Michael Moorcock’s Elric compilations. And that no doubt is fodder for another post somewhere down the road. #SFWApro
My contributor’s copy arrived today of the Russian edition of Ellen Datlow’s Best Horror of the Year One, which contains my poem “The Thirteenth Hell.” This is the first time my work has ever been translated. It’s neat to see my name in Cyrillic. (Photos by Anita.) #SFWApro
I’m pleased to announce that my strange somewhat science fictional poem “Dearly Beloved” has just sold to Canadian anthology series Postscripts to Darkness.
I’m especially tickled because “Dearly Beloved” is part of a series — it’s set in the same far future world as my short stories “Twa Sisters” (published last year in Not One of US #47) and “Still Life With Skull” (in Solaris Rising 2: The New Solaris Book of Science Fiction, which appeared in March.)
I guess this means I need a name for this series, eh? In my mind it’s called the “Hierophant’s Daughter” sequence, for whatever that may be worth. #SFWApro
The folks at Black Gate have been doing a wonderful job of promoting my new novel, The Black Fire Concerto. This past Sunday they posted an interview with yours truly conducted by the magnificent Patty Templeton.
Q: Do you talk out your works in progress with anyone or is all the work done in self-reflection?
I’m very superstitious about that. Sometimes I’ll share an idea with Anita and let her float suggestions, but generally I do not like to talk about works in progress. I think there’s a number of reasons for that. I don’t want to lose the momentum by talking it out rather than writing it out. I don’t want to invite criticism too early. I want to get the piece to the point where I think it at least looks like what I imagined it would before I let the rest of the world in.
I do sometimes sketch outlines. A couple nights ago I inadvertently stumbled across the first outline I did for what become Part I of The Black Fire Concerto. That was funny to see…the characters had different names!
Earlier, Black Gate overlord John O’Neill discussed my career and my new novel in one of his “New Treasures” posts.
I read Mike’s book in draft last year and was wowed. He has created a singular feat of the imagination, a world of shape-shifters, ghouls, and worse things, where two young women with a very unique form of magic may be the only hope against a sorceress of untold power.
Next up, I’m supposed to provide a guest post discussing the monsters in Black Fire Concerto. I’m a little behind on this, because I’m a little behind on everything. But it’s in progress. I’ve received a new batch of paperback copies as well, so review copies are also going out. (If you’d like to consider the book for review, by the way, get in touch!)
Speaking of catching up, my poor neglected audio column “Tour of the Abattoir” has resumed at Tales to Terrify. This time Shalon Hurlbert and I discuss two movies that purport to examine dybbuk possession, The Unborn and The Possession. It’s a fun column, though its informative value may be dubious, heh. #SFWApro
So the official launch reading and launch party for my first novel, THE BLACK FIRE CONCERTO, took place at ReaderCon, and I ended up selling all the copies I had, which in the land of small press translates to “smashing success.”
The online launch of the novel has lagged behind by about a month — such are the ways of publishing. But it’s definitely here. You can read and/or listen to Part One, “The Red Empress,” and read the beginning of Part Two, “Bone Mosaics,” and of course buy the book, in trade paperback or Kindle formats. Because folks have asked: there are no other e-book formats being offered for sale at this time. (Psst! Review copies are another story.) #SFWApro
Most of my posts about my own writing are just of the “Hey, look at this!” variety. But here’s where I feel I should finally say: “The Red Empress” and The Black Fire Concerto represent the best writing I’ve produced since “The Button Bin” — and I really hope folks will take a look and listen.
Here’s the finished website for Haunted Stars Publishing, who published The Black Fire Concerto. Links to buy are here, plus blurbs from Tanith Lee, John R. Fultz, Tiffany Trent and R.S. Belcher.
Ellen Datlow has posted her annual “long list” of honorable mentions (Part 1) (Part 2) selected from the material she read for this year’s edition of The Best Horror of the Year.
I was pleased to discover I earned four this year for stuff I had published in 2012. Ellen gave nods to three poems:
And she gave a nod to one story:
I’m also proud to report that poems published in 2012 in Mythic Delirium received nods.
From Issue 26:
From Issue 27:
Congratulations to Sandi and Sonya!
#SFWApro
